Every once in awhile, here at The Wikipedian we like to spotlight editors who have made a substantial impact on Wikipedia (previously: User:Esemono) by asking a willing editor to talk about the articles they’ve worked on, and how they think about the article writing process. With Oscar season coming to an end this Sunday, there’s no better time than now to share this e-mail interview with a longtime contributor to WikiProject Film, User:Erik. I sent him a few questions earlier in the week, and he was gracious enough to respond with his thoughtful answers presented, unedited, in this post. Thanks, Erik!
How do you select specific topics for the film articles you work on?
I tend to choose topics that have underdeveloped articles or do not have articles. Most of my contributions are to articles about upcoming films, and I like to give these articles a good start by weaving together details about the films’ development and production process. The topics I choose can be of personal interest to me, can be those whose articles I rescue from AfD, or even just related to a bigger initiative of mine. Lately, I have been in the habit of creating articles about crew members because I’ve warmed up to the idea of crew lists in film articles. (The film infobox is restrictive in not having fields for some crew members, like the costume designer or the production designer.) I’ve also started to create list articles that can link together film articles, usually because they have something in common.
What’s your research process like? Any favorite sources or techniques for identifying encyclopedic information?
I use the advanced search operators in Google pretty frequently. One can filter for the domain (e.g., site:variety.com) and/or choose a date range to find results about a film during a certain time frame. I usually tend to find out the earliest coverage about a film and work forward from there. Most films will not be written about in books, so most of my contributions have been derived from news and magazine coverage. However, I do use Google Books and the book preview feature in Amazon.com to make a case for an older film’s notability or to help resolve a content-based dispute. One of my favorite sources was the British Film Institute’s Film Index International database, which could provide a list of periodical articles for a given film. Such lists have been of tremendous value in expanding Wikipedia articles. Unfortunately, I only had access to that database in college, and not anymore. I’ve learned to seek out information in different ways since.
One of your articles that really caught my eye was Interpretations of Fight Club. How did you come to decide to create that article?
Fight Club is a favorite film, so when I worked on its Wikipedia article to bring it up to Featured status, I came across academic analysis of the film. Originally, I thought that these sources were too high-brow to include in a film article, but another Wikipedia editor with a PhD in English literature told me about film theory — auteurship, intentional fallacy, and how a film could be interpreted independent of the original meaning. That really opened my eyes to the field of film criticism, and I think it has enriched my perspective of film. Anyway, unfortunately Fight Club is hugely popular to study. The article Interpretations of Fight Club currently has four references, but on the talk page, there are many more listed that I have not implemented. The four that I did implement were dense and very difficult for me to summarize, especially with so many good points made. The experience made me think more about incorporating film criticism in Wikipedia articles. I helped an editor improve the Wikipedia article for the film American Beauty to Featured status, and I think that outcome is what I want for film articles. I have also added similar analysis to the article for Apt Pupil, though I do not find it complete yet. I’m also working on a similar approach for the film Panic Room. I even have an itch to revisit Fight Club to incorporate that scholarship and not just write about the film’s themes as determined by the director and the stars.
Based on your selection of topics over time, I think you have pretty good taste in movies. And then there’s… Surf Ninjas. How did you decide to work on that one?
Surf Ninjas is a nostalgic favorite of mine, though not to the point that I would own the DVD. I expanded the Wikipedia article back in 2007, a time when I was probably hitting my stride as a Wikipedia editor. Surf Ninjas is a movie that predates the Internet, so that means most of the news coverage could only be found on internal databases. My work was a sort of experiment to see what I could find for a film that old, especially since at the time, working on articles about upcoming films, I could find headlines with ease. That is probably another reason why I continue to work with upcoming films; I do not have access to databases like I used to in college, so I depend a lot on what is publicly available.
Which article are you most proud of that does not get the kind of traffic or recognition that you wish it would?
In terms of balance, I would have to say Sea Shadow. It is a 2011 Emirati coming-of-age film for which I created a Wikipedia article a year after the film was first released. When I first started editing on Wikipedia, I liked to work on articles for films based on comic books. These films get so much news coverage because of the fan base, and I think that demographic overlapping with that of the “average Wikipedian” (explained at WP:BIAS) means that these articles continue to be the most well-developed film articles on Wikipedia. I’m supportive of this since readers know to go to Wikipedia to read in depth about a film. However, since I’ve moved on from these films to a more varied set, I’ve seen how much work there is to be done elsewhere.
So how did I get to Sea Shadow? I noticed a POV dispute at the article for the 2012 film Promised Land, and in the process of restructuring the article to satisfy all parties, I eventually created an article for Image Nation, which was one of the companies that financed the film. When I put together its filmography, I saw that Sea Shadow was a red link among a set of blue links, and I decided to create the article. Writing it made me realize how much I took movies for granted in the United States; Sea Shadow was the first movie to be filmed in the United Arab Emirates! It made me think about how much Wikipedia focuses on popular Western-produced films. I am more conscious of these filmmaking efforts that go on outside the mainstream — either efforts elsewhere or independent efforts. I admit I still Google the title Sea Shadow once in a while to see if it will ever appear on the first page of Google’s search results. Regardless, I’m happy to have told the story of this film on Wikipedia.
Is there an article or a list you would like to develop but haven’t yet had the time? In particular, what are your plans for Alcoholism in film?
There are so many articles I would like to write. I have learned over the years how to research a film, but the key obstacle is having the time to collect the information, digest it, and write a Wikipedia article based on all these findings. I can think of so many projects to do, but I try not to be too ambitious. Otherwise I am setting myself up for disappointment. Among less recent films, I would probably like to complete Panic Room and Apt Pupil, which have been perpetual works-in-progress. One goal I’ve considered setting is to get an article to Featured status and displayed on the Main Page for a certain anniversary. (I did that for Fight Club for its 10th anniversary.) Once in a while, I look up films that would be celebrating its 10th, 25th, or 50th anniversary in the next year. For example, Batman Begins will be 10 years old (and has a lot of fascinating critical analysis to go with it). Dances with Wolves (which I re-watched recently to see if it holds up) will be 25 years old. And so forth. I just wish I could devote more time to give these films their wiki-closeup! 🙂
Regarding the idea of alcoholism in film, I noticed that Wikipedia often writes about general topics and about individual films. I thought this was a gap that could be filled. My thinking may have started with superhero films being on-and-off in development, so it seemed better to define such an article about a set of films not as a film series but as the character in the context in film (e.g., “Batman in film”). I’ve also argued at AfD to keep articles like “Latinos in film” or “Vietnam War in film” since I found them to be valid topics that have potential. Unfortunately, I have not pursued this “in film” idea to its fullest, mainly due to time constraints. In a way, I have simplified this idea by creating list articles that can link together similar films. It’s not as prose-based and thus not in depth, but it is easier to put together and can give readers an idea of related films. The article “List of films featuring surveillance” is one of my favorites in this regard. I may create a similar “List of films featuring alcoholism” instead of “Alcoholism in film” at some point.
How did you get involved with Wikipedia in the first place, and how do you think it has changed over time?
I cannot remember what I thought of Wikipedia before I actually joined, but I started off with gnomish edits mostly focusing on film articles. (And the rest is history…) I think I enjoyed the idea that Wikipedia was an open space that was also very visible to Internet users. I liked sharing information about films (and still do), and I think I found films to be a “safe” topic as opposed to hot-button ones like political and religious issues.
In terms of what has changed, I have been a member of WikiProject Film for most of my time on Wikipedia. I served as coordinator for part of the time, but I think we tried too hard to emulate WikiProject Military History and found that initiative too ambitious. Quite a difference between dedicated military historians and casual moviegoers! We no longer have coordinators, and our primary initiative as a WikiProject is to maintain a balanced set of guidelines and to notify the community about specific disputes to help resolve. I helped write the guidelines, so it is nice to see new editors reference them. Sometimes the guidelines are misinterpreted from their original meaning, so we have to go back and clarify!
More in general, I have seen some editors retire and some persist. Unfortunately, I’ve noticed that many who persist tend to be hard-headed, and I think that makes us a bit unwelcoming at times. Another observation I’ve made is that there seems to be less vandalism than before, and a recent New York Times article called “Wikipedia vs. the Small Screen” made an excellent point in that most people nowadays browse Wikipedia on their smartphones. This seems to cut both ways — less vandalizing and less beneficial editing.
If you could change one existing policy, guideline or community norm, what would it be?
I wish that the behavioral policy of WP:CIVIL had more teeth. Punitive action only takes place when a “bright line” is crossed. I recently saw a heated and increasingly personal exchange between two long-time editors. Only one of them was blocked because their words became explicit personal attacks. It was disheartening to read the exchange in which both editors’ tones became accusatory and unwilling to disengage, especially to have the last word. Along the same vein, punitive action in regard to the three-revert rule and edit warring operates by a similar “bright line”. I have seen the rule essentially gamed where a long-time editor knows when to stop where the other party may not. Tag-teaming is also a strategy, intentional or unintentional, where an assist by another editor can circumvent the rule, when the overall goal really should be starting a discussion to resolve the dispute. Unfortunately, I have seen too many discussions start only after both parties have reverted three times, and they are usually too hostile to each other by that point to engage in a conducive discussion. I personally strive to revert as little as possible, especially when looking at the big picture, that these are just words on a web page that are being fought over. Maybe a two-revert rule can prevent such hostility from escalating too much.
Who are some editors whose work or community-building efforts you admire?
I think that there are many editors that I admire in different ways. MichaelQSchmidt is one with whom I have disagreed at times about how to write about films in development, but I think in spite of that, we have cordial and productive discussions. He has striven to write useful essays to guide editors at AfD and elsewhere. At WikiProject Film, I can always count on Betty Logan to make sensible contributions to discussions. I notice certain editors who can put together excellent film articles even though they may not participate actively in the WikiProject Film community. Although he is retired from Wikipedia, Steve was a model editor who had a very collaborative demeanor and wrote the excellent articles American Beauty, Changeling, and The Revolution Will Not Be Televised.
Got a favorite for Best Picture this year?
12 Years a Slave. While I have not had a chance to see all the Best Picture nominees, I have followed coverage about 12 Years a Slave very closely since it began development. I really enjoyed Steve McQueen’s previous films Hunger and Shame and looked forward to this one. I’ve read a lot of commentary about whether or not 12 Years a Slave deserves to win. I think Gravity is a technical wonder, like Avatar was, though with themes not as swallowed up by spectacle. However, 12 Years a Slave is important in the sense that it is a rare film about a key element of American history — slavery. I did research to put together a Wikipedia list of films featuring slavery as well as the article Solomon Northup’s Odyssey, which was a 1984 TV film by PBS based on the same source material as 12 Years a Slave. Knowing this background and the general skew of demographics in the film industry toward older white men, I think it’s important to recognize 12 Years a Slave for its creative merit and for representing an otherwise underrepresented aspect of American history.
One last thing: for this year’s Oscar season, my team at Beutler Ink conceived and created a poster featuring an icon for each of the films to win the last 85 Oscars, plus an icon each for this year’s nominees. You can check it out here: The Best Pictures.